Fables in the Indian Narrative Tradition Shree Lal Bahadur Shashtri Rashtriya Sanskrit Vidyapeetha the second one highlights the

the second one highlights the God-man-world relation through a variety of doctrines and arguments as formulated by the illustrious preceptors of Vaisnava and Saiva traditions

This irreducible residuum is unavoidable so long as one cannot feel at home in that type of emotional thinking which culminates in a supersensnous object of aesthetic contemplation

As I give you over to the tantric alchemy described in this guidebook

The Theory Of Perception As Propounded By Dharmakirti And Dharmottara 337-345 CHAPTER XXII

147—161 16 The Sons Ridicule Their Mother’s Dreams

Fables in the Indian Narrative Tradition Shree Lal Bahadur Shashtri Rashtriya Sanskrit Vidyapeetha the second one highlights theThe fable is the most metaphorical of all narrative genres. The Indian fable, being both realistic and other worldly, is recognised as a wonderful integration of the aesthetic and the discursive. Imitating the habits, chores, beliefs of the Indian culture, it is the dominant form in texts like the Pancatantra, the Jatakas, and the Hitopadea. It is included at different places in the long narratives of the Mahabharata and the Yogavasistha, and is