Young Lady Frame:gold later King James II

later King James II

but it is likely that this landscape is the work of a good artist attempting to imitate the style of Jan Wijnants

Cleaning also permitted a clearer appreciation of Rembrandt's confident sweeps of the brush and thickly applied 'impasto' paint (see

More than three hundred and fifty years after she was painted - Rembrandt's ability to conjure up the sense of a living being out of paint can still astound

This picture has just returned from conservation as part of a major project funded by the Getty Foundation

Young Lady Frame:gold later King James IICatalogued since 1880 as Italian School. Richter suggested an attribution to the School of Sustermans.